Now as we finished with the book design, let's talk about publishing options. I have some insider info for you:) So of course the first question was, publishing house or self-publishing? I decided

When you are finally ready with the design you need to print the book. It's a very important thing because you will, again, learn a lot of new information. To give you one

After the first prototype was ready I scheduled five user interviews. The first was a woman who answered my IG announcement and she was a photographer herself plus graphic designer. Some of her

Just wanted to tell you before-head that I learned all I know about graphic design, design of the book and user research from working here. Ok, so what takes the book from some

First of all I needed to figure out what kind of work should go in the book. I excluded my commercial work as well as my fashion editorials because I figured they are

What I was set up to do was to put my individual works in a larger narrative.

When you are picking a gallery: ask yourself if you are not too different from other artists there (so your narratives won't be in conflict during the show) ask yourself if you are not to similar to other artist in the gallery (and will be a direct competition for his/her sales)

You can work with whomever you like in the whole world, I have so many good friends left in Switzerland, Kiev and Boston, and with this remotes we can really plan something very special together.

There will be no call to action here, if I gave you the link to this page, it means we are already talking about collaboration. If you landed here by chance - stay safe and make sure to find a way to keep creating!

So for a few years, I had this idea to do a photoshoot about a feeling of startle that you feel on a night road if your headlight caught someone in their light.